Performance of Entrapment
Opens July 17, 2025 until January 2026.
London Mithraeum Bloombergspace
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Dendrophiles
Opens July 2025 until June 2026.
Sculpture in the City 14th edition.
A new work by artist duo Jane and Louise Wilson, Dendrophiles, highlights hidden stories beneath London’s modern architecture, exploring the fragile connection between The City’s high-rise skyline and its ancient past. Situated beneath the escalators of The Leadenhall Building, the work combines ink drawings based on images of DNA with 3D scans of ancient oak wooden samples that date over 2,000 years old. The archaeological material was excavated on the site of Bloomberg’s European headquarters in 2012 and believed to have once supported a crossing over the River Walbrook.
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Altogether
Through July 11, 2025
303 Gallery, New York
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ARCHIVE
April 29 – June 5, 2022
Maureen Paley, London
New exhibition presented across two of the London gallery’s spaces, marking the 10-year anniversary of Jane and Louise Wilson’s 2012 film The Toxic Camera.
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February 6 – April 1, 2021
303 Gallery, New York
Imperial Measure 16 (Atomgrad, Ukraine), Jane and Louise Wilson
Winter of Discontent considers the current atmosphere of upheaval in relation to environmental, political, and economic forces. The group exhibition will take form as both a physical exhibition, presented in person at 303 Gallery, as well as an expanded online Viewing Room, where it will feature additional contributions from gallery artists. Showing concurrently in the gallery’s Project Room space is Hunters in the Snow, a selection of works curated by Fortnight Institute.
Drawing parallels to Steinbeck’s last novel, The Winter of Our Discontent, as well as Shakespeare’s eponymous verse from Richard III, “Now is the winter of our discontent / Made glorious summer by this sun of York,” the exhibition alludes to our present as a profoundly urgent moment for reflection and sowing the seeds of change. The works on view form a polyphonic response of resilience, introspection, and hope, through a wide range of artistic approaches. As one may interpret from Shakespeare, a change of regime can usher in new opportunities for progress and regeneration, just as a new summer season of growth may arise out of a period of darkness.
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February 1 – May 2, 2021